Rogueish
06/07/12
I finally got round to watching the last two Harry Potter films last week; taken together, they make a pretty good four-and-a-half hour film, although the first film is probably better (the design of the Ministry of Magic is especially good). I thought this sequence was particularly impressive. It became very clear with the publication of the fifth book that Harry Potter is an attack on the crypto-fascism of neoliberalism, and New Labour in particular, but the visuals here, it seems to me, add something that isn’t in the books: don’t the streams of smoke hanging quietly in the sky that represent the Death Eaters bring to mind images of the white phosphorous bombardment of Fallujah? It’s a valuable reminder of the other legacy of Tony Blair’s government.
04/17/12
His relationship to his father and his guilt at not having fought in the Second World War have long been themes in Spielberg’s films, but they combine in a particularly creepy way in War of the Worlds. With the idea of a redemptive war for the natural/natal/familial community, Spielberg becomes something like a boomer Ernst Jünger.
